Things You Can Tell Just by Looking at Her (2000)

Feels like a Prequel to "Nine Lives"
"Things You Can Tell Just By Looking At Her" is a movie written and directed by Rodrigo Garcia, who wrote and directed what I think was the 3rd best film of 2005 "Nine Lives." This film features much of the cast of that film. This movie is Garcia's first movie and it's apparent, it definitely has a first movie vibe to it. Unlike, "Nine Lives" which let us eavesdrop on 15 minutes in the life of a woman and never leading us back to that woman; This film gives us vignettes (that are much longer than 15 minutes) and at the end brings us back to see what became of the women. While each vignette is an affecting and smart one, Garcia was able to show more emotion in the 15 minutes than he was in these 30 minute or so ones. Like, "Nine Lives" all of the vignettes are separated into sections. The first one is:
1. "This is Dr. Keener": We meet a woman named Dr. Keener (Glenn Close) who is taking care of an elderly woman. A fortune teller (Calista Flockhart) arrives at her house and predicts her future.
2. "Fantasies About Rebecca": Rebecca (Holly Hunter) discovers that she's pregnant; Meanwhile, she has sex with a co-worker (Matt Craven) and chats with a homeless woman.
3. "Someone for Rose": A children's book writer named Rose (Kathy Baker) watches as a dwarf named Albert (Danny Wood) moves in across the street; as her son Jay makes a shocking revelation.
4. "Good Night Lilly, Good Night Christine": The most affecting of the vignettes, is the story returning the fortune teller Christine (Flockhart) who watches as her lover Lilly (Valeria Golino) dies.
5. "Love Waits for Kathy": A detective named Kathy (Amy Brenneman) deals with loneliness, while her blind sister Carol (Cameron Diaz) bonds with a man named Walter (Matt Craven).
In a nutshell, there's the synopsis. While all the vignettes are affecting, I think the most entertaining one is "Someone for Rose"; While, as I said, the most affecting is "Good Night Lilly, Good Night Christine." Holly Hunter delivers the best performance in the movie, while Glenn Close is completely understated and Cameron Diaz delivers one of her best performances. The biggest problem with the movie, although it has very few flaws, is that some of the vignettes drag on too long, but it's not Garcia's fault...It's his first movie. He does a show an amazing talent for going into a woman's life for a few moments and making something out of it. This is a good film, it's not a great film but it's definitely worth checking out.

GRADE: B+

VERY good...
These slice-of-life ensemble-cast episodic movies are sometimes hit and miss, but this one was pretty solid all the way through. The unspoken common theme is, as the ironic title suggests, the hidden interior world of women, behind their deceptively "ordinary" day-to-day facades.

Luckily this film does not pretend to offer any great sweeping bromides, it just takes us deep into the inner lives of the five women featured here, all played magnificently.

This is a film that stays with you and invites repeated viewings, precisely because it does not provide neat, easy answers but rather respects the mystery and impenetrability of each individual's experience.

VERY good...
These slice-of-life ensemble-cast episodic movies are sometimes hit and miss, but this one was pretty solid all the way through. The unspoken common theme is, as the ironic title suggests, the hidden interior world of women, behind their deceptively "ordinary" day-to-day facades.

Luckily this film does not pretend to offer any great sweeping bromides, it just takes us deep into the inner lives of the five women featured here, all played magnificently.

This is a film that stays with you and invites repeated viewings, precisely because it does not provide neat, easy answers but rather respects the mystery and impenetrability of each individual's experience.